I absolutely loved every second of this show, great pacing and really knows how to balance drama and comedy. It also knows when to treat itself seriously, and doesn't feed into exposition dumps via dialogue which I greatly appreciate.
Might I also mention how much I enjoy Emilia Clarke. What an absolute rockstar with immeasurable talent, and Haley Lu Richardson is no pushover herself. The relationship between them was a highlight of my watch and seeing two women having full character arcs and the time dedicated to each on their journey recovering from grief and finding solace with each other.
I sincerely hope Peacock does not sleep on this title, and green lights a season 2 soon.
Sidenote: May Emilia Clarke never get botox, I don't know what I would do if her eyebrows stop moving.
It was a really charming show! I also thought Vic Michaelis (Cheryl) was utilized perfectly. Not sure how much more steam it had after that barn-burner of a finale, since it seemed like a lot of loose ends were tied up already, but I’m open to another season.
35
VIDEODREW2Mar 25, 2026
+7
I saw a stand-alone scene with Vic in it and realized I’ll need to lock in to this show when I have a moment.
7
Miserable-Seesaw7114Mar 25, 2026
+12
I think they set themselves up perfectly for another season, while they did tie up a few loose ends they definitely unfurled a few threads to follow while also still having a few ends to complete from this season as well. Glad you enjoyed it, and I too think Cheryl was great, she kind of annoyed me at the start but I definitely understood why with that last episode!
12
Suspicious_KeyMar 25, 2026
+18
The plotting was a bit of a mess, but I enjoyed the cast and especially the two delightful leads. Good mix of drama and comedy. It was a fun show, and I'd love some more seasons.
18
Miserable-Seesaw7114Mar 25, 2026
+1
In what way did you find the plotting to be messy friend? Genuinely curious!
1
Suspicious_KeyMar 25, 2026
+10
It's been a while, but I remember generally enjoying the tension between our ladies and the KGB; but the various backstory revelations about their husbands never really felt like it was fitting together.
(Including that odd diversion to the Belarus village in the final few episodes)
10
Miserable-Seesaw7114Mar 25, 2026
+1
Ah I hear you, it did feel a bit disjointed for the first few eps. But hopefully it will payoff with another season so they can dive into those plots fully rather than the sprinkling of crumbs they did throughout the first season. I think we didn't get enough time with the husbands to have any sort of investment into that plot itself.
1
thanks_paulMar 25, 2026
+3
I enjoyed it overall but occasionally the lack of realism was absurd. This American woman is posing as the Belarusian girlfriend of an extremely violent KGB agent and yet wanders around Moscow every day speaking English to her very American friend? Ehhh come on
3
zeyoreMar 25, 2026
+4
Yes, I enjoyed it. Also very happy to see my girl Vic Michaelis in a popular-ish show.
4
SpiritedOwl_2298Mar 25, 2026
+5
Yes it was so excellent and refreshing!!!
5
TH3PhilipJFryMar 25, 2026
+6
Went in hopeful, finished it just to make sure all the good things people were talking about weren’t happening in the last episode… wasn’t the case.
It’s ok for a ‘turn off your brain and watch’, but if it was supposed to be a complex and twisty spy thriller that made any amount of sense they really needed better writing.
Americans speaking loudly in English in public supposedly being covert spies, the plot always being moved forward in public by CIA agents after they specifically said not to speak outside of that one special room, sending your nana into a covert operation straight from the US…
The cast had potential, the writing killed it for me.
6
Phil152Mar 25, 2026
+2
It's a dramedy and a mismatched odd couple buddy show, with the comedic element holding just short of going into full parody or spoof territory. Sending Manya into a covert operation is no sillier than sending Bea and Twila in the first place.
There's a point lurking in the background that people should keep in mind. There are many, many situations in real life where unlikely people get swept up into very dramatic events and have to deal with situations far above their experience or expertise. Unlikely people stepping up in the face of whatever is a real thing. And it surfaces repeatedly in all genres of movies: war movies; natural disaster/escape/survival movies; zombie apocalypses and alien invasions; crime stories; the list goes on and on.
Before Ponies aired, I was wondering how Bea and Twila would get caught up in the spy vs. spy thing. Since Bea was working as a secretary in the embassy, she had a natural route into the scenario. Beef up her background a bit; she didn't have to be just a secretary tagging along after her husband and taking whatever clerical job the embassy could provide. She might have had a career of her own. The State Department is sensitive to co-location of dual career spouses, and while that is often not possible, it is a factor in assignments and it's great when it works out. It would also be great cover if one spouse is a spy.
Twila, however, refused a makework secretarial job and chose instead to be a homemaker. While dual income couples are the norm today, a substantial minority of married couples still hold to the breadwinner-homemaker pattern, especially if they have kids. 50 years ago, this was far more common; the 1970's were very much a transitional decade in this regard. This is a huge issue in the State Department, the military, and among business expats; long separations are very hard, and finding good accommodations is tough.
Anyhow, if Bea was also a State Department careerist, staying at her post after the funeral might make a great deal of sense. From there, if she was working somewhere that gave her eyes and ears on people and activities that might be linked to her husband's death, leaving her in place to observe and report would be plausible. Note that this is essentially what Twila is assuming in that first conversation in the bubble when Dane tells her that she is to perform the duties of a secretary. She immediately wants to know what her new boss is suspected of doing: is she to listen in on his calls, snoop on his files, and spy on her boss?
But since Twila isn't already embedded as a secretary, that isn't plausible. She has no role in Moscow after Tom's death. Of course she is sent home. That was a great move by the writers. Then we get the memorial service, both Bea and Twila being upset with the lack of answers, and their first big comic cannonballing into trouble when they jump Dane and ask to be sent back. Dane, of course, immediately says no ... and then the show jumps from a reasonably plausible setup into comedy when Dane warms to the idea and decides to bring two completely unqualified people into the fold.
This wouldn't happen in the real world, but I read these scenes as a very good way to break the fourth wall, wink at the viewers, and say, "yeah, we know this wouldn't really happen ... but we're giving you a cover story; just go with it and enjoy the ride." And for a tv show with a broadly comic vibe, that's sufficient.
Dane's idea, of course, is that Bea and Twila will be limited to the safest possible jobs ... not yet knowing that B&T are basically uncontrollable, and that they will find trouble if trouble doesn't find them first. But now we're on the comedy track, so just go with the flow.
2
AmariceMar 25, 2026
+2
I really enjoyed it too, and hope they get picked up for another season.
2
Somnambulist815Mar 25, 2026
+1
Already renewed for season 2! I breathed a huge sigh of relief when I saw the news
1
AmariceMar 25, 2026
+4
I haven't seen that. Only that the producers are planning for it, not that it's been picked up.
4
Phil152Mar 25, 2026
+2
It needs a season 2. Maybe that decision has been made but is not yet announced. Maybe there's a team already on the ground trying to book locations, given how many productions now shoot in Budapest. Maybe the Peacock execs are still navel gazing and writing a new chapter in the ongoing "how to mismanage a tv show" chronicles. I dunno.
I thought season 1 did a pretty good job of juggling the drama and comedy, although as the season developed, the comedy/parody element came to the fore, even as the stakes steadily increased. Bea and Twila are in over their heads from the start. As they cannonball into one scrape after another, each more deadly than the last, they escape repeatedly through a combination of luck, pluck, and the timely intervention of \[pick 'em: Dane, Ray, Ivanna, the Marine extraction team ...\].
The show is walking a very fine line here. Luck, pluck, and the miraculous appearance of outside help -- a classic deus ex machina solution; J.R.R. Tolkien used the giant eagles repeatedly when he wrote characters into a corner and there are innumerable other expedients -- will get old fast if it's overdone.
Going forward, a lot depends on how much time the showrunners think they will have. Bea and Twila were written as a comic odd couple, pushed to extremes. Bea is a normie, a highly educated, kind and sensitive young woman shattered by a tragedy; Twila is the tough kid from the wrong side of the tracks who has developed a hard, cynical shell as a matter of self-protection.
Twila is much the trickier of the two to write going forward because the show wants to be broadly comic, and Twila carries most of the comic load. She is written as a caricature pushed to the point of being obnoxious and unlikeable. Bea will toughen up; that's relatively easy. But where do clowns go? If they remain clowns, they become one-dimensional and boring. But if the mask comes off and we see what the mask is hiding, the clown is exposed. Beneath the mask, the clown may be sad, dangerous, evil, scheming, ominous, pathetic or whatever, but they're no longer nearly as funny and the show loses that edge.
Twila starts getting revealed early in episode 1 in the conversation with Tom about going to the Christmas Party; we see the hurting young woman who is trying to mask pain that we have not yet been shown. By the end of season 1, Twila is a vulnerable and sympathetic character. She has gone from being rather unlikeable to someone we would want to help. (I.e., she has found the side of herself that Dane told her to find in the "we're not sending you home" conversation early in s1. That part of her training is completed.) So where is the comedy going to come from now? I don't see any other character on the show who can step into the comic role, and if Bea and Twila reach an equilibrium on the vulnerability scale, they are no longer a mismatched odd couple.
One option -- a natural for an ensemble show with a very strong cast -- is for the supporting characters to step up. Bea and Twila would remain the narrative core, but that doesn't mean that other subplots can't expand and take some of the episode by episode narrative burden off the Big Two.
My best guesses:
Andrei >!has to be flipped. He's too valuable to be killed, unless Artjom Gilz signs for some other big project and is suddenly unavailable. Bea and Twila's cover is blown and they are useless in Moscow unless Andrei keeps their secret, and that requires a classic spy drama double agent blackmail dance!<.
Chris >!has to be sorted out; everything Bea-related demands that. Andrei tells B&T that Chris was the mole. But that doesn't make it true. It's hard to see why Andrei would lie at that point, but Dane has said that Chris was only pretending to work for the Soviets at his request; it could be that Andrei had been taken in by the deception. In addition, however, it never made sense that Tom and Chris would both be shot as they got off the plane, which is what Vera says she saw. Why would the Soviets kill their mole? That story could go in many directions.!<
Dane, Emile and Ivanna >!are wildcards. Who is the "our friend in the village" that Emile refers to in e8?!<
Ray and Cheryl: >!Their marriage is going to explode. Does this happen in s2, 3, or 4 ... so how much time do the showrunners have, because they have to know how fast to pace the reveals. And since Ray is the show's Dudley Do-Right, where does he go? There is a perfect ending for Ray and someone else sitting in plain view, but it may be too happy a solution for the showrunners.!<
Characters who are "good guys" and who will remain good guys, whatever banana peels they may slip on along the way: >!Bea, Twila, and Ray.!<
Characters who may be playing a double game, or end up doing so before the end: >!everyone else.!<
Where do the showrunners want Bea and Twila to end up? I have a preference. YMMV. But I'll postpone that speculation other than to say that they presented at the beginning as multi-dimensional characters, albeit pushed to extremes in the mismatched odd couple pairing. I would prefer to see them grow, not shrink, over the course of the show. That is too long a story to get into here, except to say that in the end, they should not return to the U.S. and become happy homemakers like a 1950's sitcom. Nor should they become stone cold CIA operatives who have given their entire lives over to the life of shadows. That would narrow their trajectories considerably.
The longer any show goes, the more important it becomes for other members of the ensemble to step up and share the spotlight with the original main characters. Background actors grow into major supporting roles. Supporting actors become virtually co-leads. New characters are introduced and in a season or two or three become mainstays. The show has to grow or it becomes stale. So what path will the showrunners take?
2
EuphoricReplacement1Mar 26, 2026
+1
Well said, you should write for the show.
1
pinkuunicornMar 25, 2026
There’s still no news about season 2?
0
flycasuallyMar 25, 2026
+2
It wasn’t bad, but it wasn’t great.
I wasn’t a fan of HLR in this show. Maybe it’s just me but I thought her acting was particularly bad and over the top, making her performance annoying.
Emilia Clarke however nailed the role and carried the show in my opinion.
I wish they did more with the characters. They started off with a decent premise, but kind of lost the plot halfway thru trying to introduce action to keep the audience from falling asleep.
2
Phil152Mar 26, 2026
+2
Twila carries most of the comedy in s1. She is written as a caricature pushed to the point of being abrasive and unlikeable, at least at first.
HLR acted opposite Jennifer Coolidge as Tanya in The White Lotus, so that comparison comes to mind. I thought Tanya's clown schtick had gotten stale by the end of s1 and that the clown desperately needed to grow. Instead Mike White killed her off.
Ponies is taking the other path. By the end of s1, Twila has been allowed to grow a great deal. She is approachable and relatable when dealing with Bea and Ray. She is playing a comic dance with Ivana. She atill wears the hard shell with the obnoxious, cynical sneer when dealing with people she dislikes or distrusts, so she is code shifting all the time.
The problem is that the show probably doesn't work with Twila as a loveable clown. She needs to retain enough of the obnoxious caricature to supply the comic edginess. From a writing standpoint, that's going to be tricky.
Twila's best moments are when she lets the mask slip. But in those moments, she's not a clown.
2
CatfantexasMar 25, 2026
-2
I didn't know HLR before and this role didn't make me want to know more.
-2
WhiskyWillFixItMar 26, 2026
Same. I found it fine. I actually think I forgot to finish it lol. HLR was ten times more annoying than on White Lotus. I’m told she’s insane in real life as well, so I guess it makes sense.
0
DudleyDoodyMar 25, 2026
+2
Couldn’t make it through the first episode and I wanted to like it. Really rough acting and writing. Felt like a bad translation of The Americans.
2
fr0z3nf1r3Mar 25, 2026
+1
I was really hoping for Cheryl to get involved after she got nosey. I wanted her to be a third wheel spy basically. It's the perfect role for Vic to be having fun but clearly not desired or welcome. Maybe Cheryl would have an arc herself where she becomes one of the gals.
The last episode decisions kind of eliminate that hope.
1
Accomplished_End_843Mar 25, 2026
+1
I had some problems with the way character motivations intertwined with the romance they seem they wanted to build up but besides that and other small issues, it was pretty fun yeah!
Hope we get a season 2.
1
MeatTornado25Mar 25, 2026
+1
I haven't finished it yet. I'm watching it pretty much only because the two leads are so likable, but the actual show is very hard for me to get immersed in because it doesn't take itself seriously. And I don't mean because of the funny/lighthearted moments, I mean because nothing makes sense and characters seem way too dumb to operate under the rules of the world they established early on. And not just the girls who are supposed to be inexperienced, but the guys at the CIA.
1
JB_JB_JB63Mar 25, 2026
+1
I enjoyed it as a bit of fluff. It was much more comedic than I was expecting and Adrian Lester and Emilia Clarke were fantastic. HLR though I’m afraid to say I thought was terrible. Overacting ‘quirky’ every time she was on screen.
1
Jealous-Stock715Mar 25, 2026
I thought it was just ok. I struggled to get thru some episodes and found HLR very annoying at times.
28 Comments